My work originates from printmaking. I begin my pieces through the process of etching, and as the pieces develop, I incorporate drawing and collage through the use of pencil, ink, marker, watercolor, paper and threads, which I glue onto the surface or stitch into the paper. I am interested in exploring the concepts of time and memory, and I find the technique of etching to be a suitable means for expressing these ideas.
As the acid bites into the copper plate over a period of days, it leaves a trail of marks, cuts and grooves, creating a visual history over time. The marks become more significant as they are juxtaposed with sections of the plate that have not encountered the acid. I think of this transformation of the plate as a metaphor for the passage of time. My goal is to bring the notion of time into sharp focus through the erosion and drawing on the plate, in combination with the drawn and collaged abstract forms that are added to the final prints. I am interested in developing a tactile surface that emphasizes the lyrical and fragile nature of the contours and forms interwoven throughout the pieces.